The John Barry Award for New Fiction in Spanish
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About John Barry

John Barry was born in 1946 in Evanston, Illinois.  After a career as a jazz musician, he earned his PhD from the University of Chicago.  He was a Professor of Latin-American Literature and Spanish at Roosevelt University for almost three decades.  He invested the last twenty years of his professional life in the study and promotion of literature in Spanish created in Chicago.

He collaborated in several cultural and literary magazines in the city, and in 1999 he published his first anthology of short stories: Voces en el Viento: Nuevas Ficciones desde Chicago (Ed. Esperante, Chicago.)  His last anthology, Into the Wind's Eye: Latino Fiction from the Heartland, a bilingual edition of short stories written in Spanish in the Chicago area, was published posthumously in June of 2004.  John Barry suddenly passed away in September of 2003.  He was working on a novel titled Love Songs.


With his boundless energy and unwavering commitment to quality teaching and research no faculty member contributed more than John to the vibrancy of Roosevelt University. While a bright beam has been extinguished well before its time, we should never forget the path that has been illuminated as this university considers its future direction.

—Howard Stein

John Barry died stating that there was a literary movement in Spanish in Chicago. That's why in each poem, in each story and even in each article that is published in Spanish in Chicago, we will find the echo of John's Voces. For your generosity and confidence, the only thing left to say is thank you, John.

—Contratiempo Magazine

John had an indestructible faith in us, those who write in Spanish in Chicago. He encouraged us all, he included many of us in the Anthology published in 1999, he translated to English short stories by most of us and he indefatigably worked to find a publishing company to print them. He was more confident on us than ourselves.

—Leda Schiavo

It was the first time that I saw and felt those light eyes of a mischievous kid but tiptoeing in a constant looking, those eyes inseparable from a smile with a little irony that made you accomplice of tireless searches. A look that reconciled me with this country because it embodied the best of this society. A look that finally was seeing, was seeing me.

—Josefina de Abad

 

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